When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.
Movie / 2017
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Movie / 2024
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Movie / 2011
Movie / 2021
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Movie / 1985
Movie / 1985
Movie / 2015
Movie / 2020
Movie / 2019
Movie / 2021
Movie / 1975
Movie / 1972
When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.
Movie / 2017
Movie / 2015
Movie / 2024
Movie / 2023
Movie / 2020
Movie / 2024
Movie / 2018
Movie / NaN
Movie / 2011
Movie / 2021
Movie / NaN
Movie / 1985
Movie / 1985
Movie / 2015
Movie / 2020
Movie / 2019
Movie / 2021
Movie / 1975
Movie / 1972